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Total de Resultados: 10.000

Página 1 de 100

412-42476 Teenage boys in high school art class
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902_05_12513297highres The Sheldonian Theatre, located in Oxford, England, was built from 1664 to 1669 after a design by Christopher Wren for the University of Oxford. The building is named after Gilbert Sheldon, chancellor of the University at the time and the project's main financial backer. It is used for music concerts, lectures and University ceremonies, but not for drama until 2015 when the Christ Church Dramatic Society staged a production of The Crucible. There are thirteen square pillars topped by head-and-shoulder busts marking the front boundary of the Sheldonian and erected when it was built in 1662-8. When the Old Ashmolean (now the Museum of the History of Science) was built next door in 1679-83, another four matching heads were carved to go in front of that; Oxford, England
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902_05_12511026highres Magic lantern slide circa 1900, Victorian, shelling of the Cathedral of Reims by German troops, 1914
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902_05_12510898highres Lyrics to the Navy hymn 'Eternal Father, Strong to Save' with a background of ships on the ocean
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902_05_12510897highres Lyrics to the Navy hymn 'Eternal Father, Strong to Save' with a background of ships on the ocean
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902_05_12510892highres Lyrics to the Navy hymn 'Eternal Father, Strong to Save' with a background of ships on the ocean
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902_05_12513220highres Black and white image of Jesus Christ carrying His cross, and the words 'in his steps' and 'what would Jesus do?'
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902_05_12510895highres A verse from the navy hymn 'Eternal Father, Strong to Save' on a background of ships on the ocean
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902_05_12529161highres A painted or stained glass window depicting two Saxon earls of Merica and seven Norman earls of Chester. From Old England: A Pictorial Museum, published 1847.
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hx04775 Artists discussing large painting in apartment
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hx04751 Male artist painting on large canvas in apartment
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hx04664 Artists discussing painting in apartment
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hx04648 Male artist painting and using laptop in apartment
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902_05_12280447HighRes Profile of an ancient Captain, aka Condottiero, The Warlord, circa 1472, after Leonardo da Vinci, 1452-1519, drawing in silverpoint on prepared paper.
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902_05_12320765HighRes Old mother goose and her son Jack from Old Mother Goose's Rhymes and Tales Illustration by Constance Haslewood Published by Frederick Warne & Co London and New York circa 1890s Chromolithography by Emrik & Binger of Holland
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902_05_12320766HighRes Illustration of girl and boy from Old Mother Goose's Rhymes and Tales by Constance Haslewood Published by Frederick Warne & Co London and New York circa 1890s Chromolithography by Emrik & Binger of Holland
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902_05_12310265HighRes Fresco in the nave of Santa Maria Antiqua, Rome, Italy depicting the head of Saint Abbacyrus or Abba Cyrus, of Alexandria. From Roma Sacra, published 1925.
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902_05_12280540HighRes Different types of Quadrupeds, including bulls, horses, boars, hogs and rhinoceros. From an 18th century print
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902_05_12320763HighRes Cover from Old Mother Goose's Rhymes and Tales Illustration by Constance Haslewood Published by Frederick Warne & Co London and New York circa 1890s. Chromolithography by Emrik & Binger of Holland
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4041_rf_14_efs6440 Monument to Bolshevik Commissar Ivan Malyshev, Ekaterinburg, Russia
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990_16_6-Babies-Eat_4HR Japan: c. 1804. Woodblock print of Yamauba breast feeding Kintaro, who was a folk hero in Japanese folklore.
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990_16_3-Rite-Hol-C-M_2HR Beverly Hills, California: December 22, 1949. This Beverly Hills resident is putting the finishing touches on her Christmas window decoration of Santa asleep in a chair.
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412-19591 Living room and kitchen of rustic house
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955_24_12177356 China, Hong Kong, row of Chinese seals or chops, carved stone stamps topped with animal statuettes, front view
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925_07_MW017880 Sculptures on the roof of a temple, in Himachal Pradesh
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925_07_MW020116 The 55 window palace, at Bhaktapur Durbar Square, in Nepal
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967_04_00001310 Malignant Tumor Brain MRI
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925_09_MW022691 A boy shows his artwork, during an art class, at a BRAC Non Formal Primary School (NFPE), in the Munuki neighbourhood of Juba, the capital of South Sudan
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925_09_MW022690 A boy shows his artwork, during an art class, at a BRAC Non Formal Primary School (NFPE), in the Munuki neighbourhood of Juba, the capital of South Sudan
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925_07_MW023345 A stone image of a musician on the wall of Konark Temple, in Orissa, India
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925_07_MW023344 Stone images on the wall of Konark Temple, in Orissa, India
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925_07_MW023343 Stone images on the wall of Konark Temple, in Orissa, India
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925_14_MW023341 Terracotta image of a dancer on the wall of The Konrak Natyashala (dance school) and Gurukul (home of the master) at Arka Vihara, in Puri district in Orissa, India
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925_14_MW023340 Terracotta image of a musician on the wall of The Konrak Natyashala (dance school) and Gurukul (home of the master) at Arka Vihara, in Puri district in Orissa, India
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971_07_FR159022A Fernand Lateger's artwork in Notre-Dame of toute Grace church
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971_07_AT394257A The Verdun Altar
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948_05_00414089 Only in relation to his town hall Dusseldorf is not modern. The ancient building dates from the 16th century and is no longer enough for a long time the real needs. Besides that, it is a very beautiful building full of character. Prior gravely rides the most famous of the old Elector Johann Wilhelm II (Jan Wellem) on the splendid horses, created by Grupellos Meier hand in eternity therefore. This is one of the most beautiful equestrian monuments that we know, a special ornament of a city full of artworks. Jan Wellem was a very popular ruler. He has worked with his divine right not think it inconsistent, even now and in the original Düsseldorf's Old Town pubs to keep quiet contemplation.
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948_05_01252816 We show here an example of a Salbbüchse, which is made of two pieces of alabaster. The heads of the prisoners are below black stone in the African and from red at the Asians. The tongue of the lion on the lid is made just like the hinges and heads made ??from red colored ivory. The hunting scenes and floral ornaments are cut into the stone and painted in color. In this Salbbüchse you notice the way an influence of Mittlelmeer Art on the Egyptian. It is certainly as beautiful as strange artwork.
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948_05_01252832 While wandering we recognize that not all works of art are originals. We find a very glorious fine head of a princess from the time around 1360. Has the peculiar, one might say, unearthly train in the face, how to show him a lot of Greek female figures.
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948_05_01252814 From King Tut's Amun knew, as mentioned, the history to proclaim little. The more of his predecessor, Amenhotep IV. Who had taken the bold attempt to reform the Egyptian religion and to give a new faith of his land. He was under the influence of his mother, Tiye, from which this carved in ebony head received, we see here from the front and from the side. Amenhotep IV wanted to abolish the worship of many gods and in their place put the worship of a god, the Aten, symbolized by the sun's disk. Actually called the king Amunhotep. When he did his reformation, he put the name from, in which the god Amun was indeed called and called himself Akhenaten, ie is the Aton pleasing.
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948_05_01256282 This hall is 54 meters long and 25 meters wide with a height of 15.5 meters. On the wall above the throne we see the greatest Öllgemälde the world, it is about 22 meters wide and 7 meters high. It is painted by Tintoretto in the 16th century and represents Paradise. Saale In fall on two large globes, which were consulted when new campaigns or commercial ventures were discussed. On the walls of glorious events in the history of Venice are shown, but these were shown boastful and not entirely honest part.
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948_05_01256119 A remarkable artist was probably Cellini, extremely versatile. This work shows that he was not only an able goldsmith, jeweler and writer, but also knew how to guide the chisel as a sculptor. The bust, at the consummate art with the smallest details with accuracy, skill are unparalleled chiseled, provides Cosimo de 'Medici is who let the artist always bestowed his protection and as a magnificent loving Florentine patron generously supported his talent.
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948_05_01252828 Ombos Temple. He tells of a time when the otherwise strict Egyptian art was prone to a certain exaggeration, what seems to be in decline currently the case. How powerful and yet unmotivated part are the columns as overloaded with jewelry.
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948_05_01252833 Absolutely egyptian but again this is showing a courtier named Senmut, holding a child in her lap. Senmut was a civil servant of the Queen Hatschepsuth. One is reminded of modern representations of our time. The two figures are completely penetrated by a cube. On it rests the plastic head Senmut. Including sealing, something moved sideways, the child's head. Hieroglyphs cover the same walls, the outer surfaces of the figure in which the body and its proportions are closed with the compact space form together. Actually, it's ancient Egyptian Kubsimus.
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948_05_01256343 The Doge's Palace, the Piazzetta, the Campanile, St Mark's Church and many a palace and artwork we want to wave a farewell and wish all carry away with us in spirit. But we also consider it with Goethe, who writes under bright sunshine of Venice, that here the Nordic homeland gloomy occurs to him, waving ädoch always friendly creatures of the mist. Like our country do not offer the dazzling splendor of the South, but it has it 's own different kind of beauty, and that's just the beauty that is dear to our hearts and close stands from early childhood on. The knowledge of foreign countries and peoples can the German heart only serve to make him the districts of home so dear. But in some hours we still think as in holdem dream the fairytale city of Venice.
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948_05_01256106 The Niobidensaal contains twelve statues of Niobegruppe. Eight of them have been found in the 1583 Lateran in Rome. Ferdiand Cardinal de Medici has bought them and placed in his villa on the Pincio. Since 1771 they are in Florence. They are ancient copies of the once placed in the Temple of Apollo in Rome BEEN defunct original group. Their age ranges probably to the 4th century before Christ.
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948_05_01256112 Right on the first floor is accessed by a vestibule to the great hall, which contains the Donatello Museum since 1887. In the middle is a plaster cast of the equestrian statue of Gattamelata, whose original is in Padua. Previously, a marble lion äMarzoccoì of Donatello, the original located in front of the Palazzo Vecchio copy. Besides numerous plaster casts of originals Donatello also original works of the famous master are placed here as a statue of David in bronze, a marble statue of St Johannes, a statue of St George and others.
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948_05_01256113 The statue of St George was formerly attached to the exterior of or San Michele, it was created in 1416 and is one of the most perfect chivalrous Florentine youth figures.
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948_05_01256714 From the interior as the Wiesbaden Kurhaus is this an intuition. It shows the writing and reading room. Noteworthy is the large mural, but also the works of art that adorn the room wasteful. Also, walkers and passers recommend a visit to the Kurhaus.
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948_05_01256280 An idea of ??the splendor and richness of Venice we gain from this picture, which shows us a hall of the Doge's Palace, the Senate Hall. The walls and ceiling are decorated with marble statues and paintings of famous artists. Even more splendid than we see now, the other rooms may have looked like when they were equipped with precious furniture rich carpets and embroidered blankets, as the councilors and nobles of Venice in ornate splendor robes they passed through, than all the glories us now but sometimes appear cold and dead, were still inhabited by a people who knew how to combine southern joie de vivre with graceful dignity in words and gestures. Venetian Crafts had a magnificent crystal service produced, which should be handed over to a foreign prince as a gift, but this, was more greedy than art understanding, let it fall and then said contemptuously: Gold remains gold as reserve even broken their Wert immediate left the Doge him hand over a number of unformed gold bars. He had surpassed humor and pride his guest.
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948_05_01256120 With a reproduction of this artful and witty fountain sculpture, which stands in the garden of the Bargello, we conclude our little tour of the former prison that now holds so many wonderful works of art.
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948_05_01256114 A wonderful plant possesses Florence under his immense treasures in the Pieta of Michelangelo huge that he had intended for his grave monument. The lifeless body of the divine Son rests on the bosom of Mary in a most noble attitude. The painful mother looks tearfully down at him, but it's more the heavenly devotion and deep faith, who speak from her face prints, as the soul pain.
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948_05_01256116 Simple size white Donatello with grace to connect in the magnificent relief of John the Baptist at an early age. This style in bas-relief has often applied and achieved the best effects so Donatello.
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948_05_01256107 Wonderful paintings of inestimable value has the gallery, so works by Raphael, Titian, Correggio, Leonardo da Vinci. Our picture shows a photograph of a painting of the Dominican monk Fra Giovanni Angelico da Fiesole, a picture full of naïve childlike piety that reaches no other master, at the same time a work of marvelous delicacy. "Burial of Mary" is the image titled alone a walk through the Uffizi to describe, would last for hours.
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948_05_01252831 The wonderful genuine gold created King Tut's mummy's head of Amun, from whose grave is all valuable come to the museum. While the face and hands made ??of heavy gold are the badges are placed on the forehead with opaque glass and faience. Eyebrows and lids are made of glass lapislazulifarbenem, the eyeballs of alabaster, the pupil of obsidian. To the badge on the front is a small wreath of flowers. This work is the strongest impression we can take from ancient Egyptian art with home.
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412-38045 Art students and instructor examining, critiquing painting in art class studio
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412-38025 Portrait smiling female artist painting at canvas in art class studio
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412-38020 Male artist painting at easel in art studio
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412-38019 Smiling female artists with paintbrushes and palettes painting in art class studio
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412-38010 Art students and instructor discussing painting in art class studio
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412-38009 Portrait smiling artists painting at easel in art class studio
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412-38007 Artists painting in art class studio
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412-38005 Male artists painting in art class studio
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412-38003 Female artist gesturing, framing painting on easel in art class studio
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412-38001 Portrait smiling, confident artist standing at abstract painting in art class studio
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412-37995 Portrait confident artists showing paintings in art class studio
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HISL045_EC423 MOVING DAY IN OLD NEW YORK, by Unknown Artist, 1827, American painting, oil on wood panel. In 1820, a tradition became a law, which required all NYC rental leased to expire on May 1st. The humorous painting shows incidents of the ensuing disruption (BSLOC_2017_10_114)
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HISL045_EC422 JAMES MONROE, by Gilbert Stuart, 1820-22, American painting, oil on canvas. The fifth President of the United States is depicted at a desk with books and papers, and red drapery (BSLOC_2017_10_113)
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HISL045_EC419 CHRISTOPHER COLUMBUS, by Sebastiano del Piombo, 1519, Italian painting, oil on canvas. The inscription stating the sitter as Columbus was probably added after the painting was made and identification of the sitter is debated. The link to Columbus was strengthened when Theodor de Bry published an engraved portrait of Columbus based on this painting (BSLOC_2017_10_110)
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HISL045_EC416 1807, FRIEDLAND, by Ernest Meissonier, 1861-75, French painting, oil on canvas. The Charge of the French Cuirassiers at Friedland on June 14, 1807, is depicted in intricate realist detail in a painting executed over several years. Napoleon salutes his soldiers in the battle against Russia, that ended the War of the Fourth Coalition, and resulted in the Treaties of Tilsit (BSLOC_2017_10_108)
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HISL045_EC417 A THEATER AUDIENCE, by Honore Daumier, 1830-1860, American watercolor painting. An all male theater audience, sitting and standing as they gaze toward the stage. This style of this watercolor is similar to that of Daumiers lithographic cartoons, but in this case is more descriptive than his provocative caricatures (BSLOC_2017_10_109)
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HISL045_EC415 THE ARAB JEWELER, by Charles Sprague Pearce, 1882, American painting, oil on canvas. An Arab artisan is painted with strong sense of light and volume. The artist studied in Paris and traveled to Egypt in the 1870s. (BSLOC_2017_10_107)
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HISL045_EC414 JERUSALEM FROM THE MOUNT OF OLIVES, by Charles-Theodore Frere, 1880, French painting, oil on canvas. Frere traveled and lived in Algeria and the Eastern Mediterranean for several years between 1836 and 1861. This detailed work was probably painted from earlier studies and photographs (BSLOC_2017_10_106)
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HISL045_EC410 CONSUELO VANDERBILT, DUCHESS OF MARLBOROUGH, by Giovanni Boldini, 1906, Italian oil painting. Italian born Boldini painted the portrait of the Duchess and her son, Lord Ivor Spencer-Churchill, with his painterly facility and flair (BSLOC_2017_10_102)
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HISL045_EC251 THE PRESIDENTS DREAM OF A SUCCESSFUL HUNT, 1907 cartoon by Clifford Berryman. TR has the good trusts leashed and has killed the bad trusts (BSLOC_2017_8_80)
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HISL044_EC957 THE GREAT AMERICAN DURBAR, by William A. Rogers, c. 1905. Cartoon showing President Theodore Roosevelt riding in Triumph. Roosevelt leads with VP Fairbanks with Uncle Sam following. Also marching are the railroads in chains and the trusts in tattered clothes. A small man carrying shovel labeled Panama leads the procession. At right is a contrasting image of Thomas Jefferson alone, riding a horse, on his inauguration day (BSLOC_2017_6_30)
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HISL044_EC771 Weeping Tammany Tiger with the face of NYC Democratic Boss John Kelly. Theodore Roosevelt and Grover Cleveland stand arm-in-arm, with TR holding large scissors labeled Roosevelt Bill. On the floor are the Tigers claws labeled Confirming Power and teeth that have been extracted by a tool labeled Public Sentiment (BSLOC_2017_4_9)
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HISL044_EC760 Weeping Tammany Tiger with the face of NYC Democratic Boss John Kelly. MADE HARMLESS AT LAST, PUCK Magazine March 1884 cover. Theodore Roosevelt and Grover Cleveland stand arm-in-arm, with TR holding large scissors labeled Roosevelt Bill (BSLOC_2017_4_8)
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HISL044_EC738 MAKE HIM HARMLESS! PUCK Magazine 1884 cover shows a youthful Theodore Roosevelt clipping the long claws the Tammany Tiger. The Tigers jar is locked by Public Uprising. His claws are labeled with the various powers of NYC political parties to employ their cronies (BSLOC_2017_4_6)
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HISL044_EC717 Photomontage of President Theodore Roosevelt with members of his cabinet, Dec. 1904. L-R: William Taft, War; James Wilson, Agriculture; John Hay, State; Paul Morton, Navy; Ethan Hitchcock, Interior; William Moody, AG; Robert Wynne, Postmaster; the President; Victor Metcalf, Commerce & Labor; Leslie Shaw, Treasury (BSLOC_2017_4_40)
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HISL044_EC710 Theodore Roosevelt as a bucking bronco firing two revolvers. PUCK Magazine cartoon of Sept. 12, 1900 when Roosevelt was running for Vice President. In the background, a dispirited Ohio Senator Mark Hanna holds a lasso. A year later, when VP Roosevelt became President, Hanna lamented, Now that damn cowboy is President (BSLOC_2017_4_34)
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HISL044_EC702 Cartoon of NY Governor Theodore Roosevelt speaking with animation but not restraint. Puck Magazine, Nov. 1, 1899. Puck pulls at his coat to advise he think before speaking (BSLOC_2017_4_27)
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HISL044_EC700 Cartoon shows the aging effect of 18 months as New York Governor on Theodore Roosevelt. His floor is covered with messages from Republican boss Thomas Platt and Elihu Root. Cover of satirical magazine, THE VERDICT, June 12, 1899 by George B. Luks (BSLOC_2017_4_25)
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HISL044_EC698 PUCK PAYS HIS COMPLIMENTS, January 4, 1899 cover of Puck Magazine. Newly inaugurated New York State Governor, Theodore Roosevelt sitting in his office. The caption reads: A Happy New Year, Mr. Governor! Now, just get to work and show us all what good stuff youve got in you! (BSLOC_2017_4_23)
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HISL046_EC642 Giant spectral, ?Judge Lynch,? holds a book labeled ?Lynch Law,? while leading a procession. Behind the variously armed people, in the distance is a small column of smoke, the scene of a lynching. In the early 20th century, Progressives advocated the removal of unfit judges, and more broadly, they sought to abolish lynching by Federal Law. Southern strength in the US Senate made this impossible. 1912 political cartoon (BSLOC_2017_20_89)
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HISL046_EC568 Admiral Seymours international force of 2,000 retreated back to Tainjin (Tientsin), China. As they withdrew along the Haihe (Peihe) River, with 200 wounded, they continued to be attacked until rescued on June 25, 1900, by a new group of European and Japanese troops, who escorted back to Tainjin. The 1963 movie, 55 DAYS AT PEKING, was based on the war (BSLOC_2017_20_21)
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HISL046_EC552 Birds eye view of the theater of war in China during the Boxer Rebellion of 1900. Key points are the City of Beijing (Peking), 102 miles inland; the city of Tainjin (Tientsin) where Boxers and the Chinese Army attacked foreigners; Langfang, where Admiral Seymours advance to Beijing was blocked, and the Dagu (Taku) Forts guarding entry to the interior. The 1963 movie, 55 DAYS AT PEKING, was based on the war (BSLOC_2017_20_18)
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HISL046_EC537 Dr. Lawrence D. Reddick, was curator of the Schomburg Collection, New York Public Library, 1939-48. Photo shows him among the artworks and books collected by and Arturo Alfonso Schomburg (BSLOC_2017_20_166)
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HISL046_EC536 W.E.B. Du Bois portrait on the 1918 issue of THE CRISIS, the magazine of the NAACP. Du Bois fostered the publication in which he denounced racists, exposed atrocities, and demanded African American resistance to injustice. Portrait by Frank Walts (BSLOC_2017_20_165)
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HISL046_EC455 Russian cruiser Varyag (right) under fire by Japanese during the Battle of Chemulpo Bay, Feb. 9, 1905. The Russian cruiser VARYAG and gunboat KORIETZ were crippled with 33 killed and 97 wounded. The Japanese attacked the Russian fleet by surprise without a declaration of war (BSLOC_2017_18_92)
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HISL046_EC446 Battle of Weihaiwei, and defeat of the Chinese Northern Fleet. Japanese torpedo boats attacked at Weihaiwei on the night of Feb. 4, 1894. While under Chinese fire, Japanese sailors torpedoed the great Chinese battleship TINGYUEN, which ran aground badly damaged. On the night of Feb. 6th, Japanese torpedoes hit the WIEYUEN, JOTAKA, and LAIYUEN (BSLOC_2017_18_84)
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HISL046_EC438 Japanese naval officers plan for the naval Battle of the Yellow Sea, of September 1894, during the First Sino-Japanese War (BSLOC_2017_18_77)
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HISL046_EC435 Japanese army storming the gates of the walled city of Pyongyang, Korea, Sept. 15, 1894. The attacking Japanese troops and the Chinese military are obscured by the smoke of battle (BSLOC_2017_18_74)
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HISL046_EC433 Japanese army expels Korean soldiers from the kings palace in Seoul, Korea, early June 1894. Japanese troops in their white summer uniforms escort the carriage of minster Otori and ex-regent Taewongon. The Japanese ousted the Korean Min king, replacing him with former regent Hungson Taewongun, who requested the Japanese drive the Chinese out of Korea (BSLOC_2017_18_72)
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HISL046_EC436 Chinese generals on their knees after their defeat by Japanese at Pyongyang, Sept. 16, 1894. This is a fictional scene, set after the victory that has pushed the Chinese forces from the Korean Peninsula (BSLOC_2017_18_75)
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HISL046_EC420 Heungseon Daewongun was regent for his son, Emperor Gojong of Korea (born 1852) from 1863 to 1873. Heungseon Daewongun kept the Hermit Kingdom isolated from all outsiders except the Chinese. In the 1860s he supported the executions of 6 French missionaries and thousands of Korean converts to Christianity (BSLOC_2017_18_60)
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HISL046_EC287 Japanese torpedo boats Hayatori and Asagiri destroy Russian ships in Port Arthur. Russo-Japanese War 1904-05. By the end of December 1904, all but one of the Russian battleships anchored at Port Arthur were sunk by Japanese. The Japanese woodcut depicts the action at night in a snow storm (BSLOC_2017_18_108)
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HISL044_EC695 HIS CONDITION_AN UNCONDITIONAL SURRENDER, Sept. 14, 1898 cover of PUCK Magazine. Thomas C. Platt offers his sword labeled N.Y. Republican Boss to Theodore Roosevelt. Platt surrenders to his longtime Republican rival, who received their partys nomination for governor (BSLOC_2017_4_20)
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HISL044_EC687 Civil Service Commissioners, Theodore Roosevelt, Thompson, and Charles Lyman exerting their pull. PUCK Magazine cartoon of Oct. 2, 1889, shows President Benjamin Harrison on a Republican Elephant, labeled Tannerism, which is tearing down civil service rules. It refers to the actions of Harrisons appointee, James Tanner, as Military Pension Commissioner (BSLOC_2017_4_13)
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HISL044_EC688 A MOVING SCENE or Over the Hill From Court House, by cartoonist George Yost Coffin. June 11, 1893. Cartoon shows 3 Civil Service Commissioners: Theodore Roosevelt carrying Charles Lyman followed by George Johnson during the transition from the Republican Benjamin Harrison presidency to the Democratic Grover Cleveland administration. After four years on the Commission, TR had established his leadership of the commission (BSLOC_2017_4_14)
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Total de Resultados: 10.000

Página 1 de 100